Now, first off, I did get the feeling that this was a too simple an idea to not have been made earlier.Rightly so, Moritz Resl did the same just a few weeks ago but I still have a lingering feeling that I’ve seen some sort of variant of this even further back.

Anyway, Stephen Coles - Editor of Typographica - was not impressed, he had this to say (full post here):

“It’s the sort of project that most designers have seen many times before they are even out of school.”

Perhaps it is, Stephen, but why come down so hard on it? Moritz didn’t, to my knowledge, make any claims to pioneer the font industry with this piece. Most likely he just got an idea and felt compelled to try it out.

Sometimes it seems that typographers are a group of over-zealous and pretentious people who have lost their ability to have fun and would rather be governed by their own strict rules. That’s what I like so much about FontStruct, the pure joy of having a creative outlet with no crippling rules as to how things should be.

On the plus side, Stephen did post two interesting links. One of them was to W. Bradford Paley, showing me another take on the average font.

The other link was to Kai Bernau’s The Neutral Typeface. Kai has put a lot more effort into his font, well worth a look. Anyway, I should return to my own stuff. The script I made was very simple, I compiled a list of fonts to be used in a loop that cycles through a string of characters and prints the characters once for each font in the list.

I can set the level of opacity as I wish, but with each letter being composed of 28 layers of different fonts somewhere between 5-15% seems to work best.

On each row a different opacity value have been used, the letters was then imported into Photoshop, blurred and finally a threshold adjustment layer was applied with three different values. In the result below, I used an opacity of 5%, pasted the chars into a high resolution (600dpi) Photoshop document, applied a 1px Gaussian Blur and three different (96, 128, 192) threshold levels.

The workflow is actually very similar to one of my own Scriptographer tools, about which I’ve written a small post here. The number of primitives have been expanded recently as well as the addition of a new feature here and there. Although the fonts created will probably be best suited as display fonts, I think it’s a really nice tool where one can try out various ideas without much trouble. It’s also great fun to just browse the multitude of user submitted fonts for inspiration. I will definately try out some ideas once my computer is working properly again…